Description

そう考えると人生そのものがレイヤードです。さらに、被写体の上に写真家の人生やセンスを自分なりにレイヤードしたものが作品なのだと思います。

Printed in the artist’s darkroom by hand

プリントサイズ : 20

dry mounted

1973<br />Keiichi Tahara<br />(田原桂一) SIgned:Unsigned そう考えると人生そのものがレイヤードです。さらに、被写体の上に写真家の人生やセンスを自分なりにレイヤードしたものが作品なのだと思います。Everything I perceived, saw and felt was utterly new. There was a quivering field of light, completely different from what I had become accustomed to in Japan. It was the July of 1971 when I finally settled down after the initial excitement of having arrived in Paris. I had regained the calmness to observe. The sky was a shade of teal, something connected to the pitch black of outer space. Arrows of light pierced the dry air, approaching stone

Exchange/Return Notes